On May 3, 2026, Gabriele Vaccaro, Honorary President of the Association of Eurasian Patrons and Artists, visited “La natura che cambia” (The Changing Nature), the 125th edition of the historic 100 Pittori di Via Margutta (100 Painters of Via Margutta) in Rome.
Held from April 30 to May 3, the exhibition once again transformed Via Margutta into one of the most compelling open-air art events in Italy, reaffirming its role within the international cultural landscape.
The presence of Gabriele Vaccaro at the 100 Pittori di Via Margutta highlights the growing global relevance of this historic Roman setting, long recognized as a meeting point between tradition and contemporary artistic expression. His visit reflects a broader vision in which established cultural contexts engage with international perspectives, strengthening dialogue across artistic communities.
Originating in the 1950s as a spontaneous initiative, the 100 Pittori di Via Margutta evolved into a cultural landmark while preserving its defining characteristic: a direct and accessible relationship between artists and the public. This continuity between past and present remains one of the key elements of its enduring appeal.
This edition of the exhibition explores the concept of transformation through diverse artistic perspectives. The works on display engage with environmental, social, and cultural shifts, offering a visual narrative that resonates beyond national boundaries and speaks to a global audience.
Within this context, during his visit to the exhibition of 100 Pittori di Via Margutta, Gabriele Vaccaro had the opportunity to meet several Eurasian artists, engaging in direct dialogue and exchange.
This moment reflects the ongoing commitment of the Association of Eurasian Patrons and Artists to fostering connections between European and Asian artistic communities through real encounters and shared cultural experiences.
Via Margutta continues to affirm its identity as a symbolic and living space for art in Rome, capable of combining historical depth with contemporary relevance.
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